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IN REEL LIFE

A Blog by Reel Nation Media

News, behind the scenes, insights, stories, reviews, and other fun stuff.

  • Aug 28, 2020
  • 3 min read

Updated: Nov 18, 2020

Written by director Abdullah Abu-Mahfouz

Today, August 28, 2020, I am extremely proud to announce that Dead ED, the film we started shooting 7 years ago, is FINALLY here in its full potential for Reel Nation Media members to watch for free.


How to Watch


Dead ED is currently available only on Reel Nation Media. The film is free to watch after becoming a member of the site.


You can watch the film at this link: http://www.reelnationmedia.com/deaded


Listen to the incredible soundtrack by S.D. Gabor here: https://www.reelnationmedia.com/music


The Story

The Official Trailer


Dead ED is a short film that takes place in a post-apocalyptic world when societies are trying to clean the nuclear winter and salvage any technology from their forefathers. The story follows a nuclear waster manager (acted by Adam Gibbins) and his only friend, a robot named ED (voiced by Zachary Peek) on their mission to lean the wastelands. However, their trail is picked up by a group of looters, lead by a notorious warlord (acted by Anthony Giovanni Elias), and the duo’s chances of survival fall into each other’s’ hands.


What do you do when you find out your mission is hopeless? What happens when you forsake your friends? The film asks you and the characters these questions.


The Story Behind the Story


If you’ve been following our activity, then you know Dead ED is our oldest project to date. If you’re new, then here is a short breakdown of how all this went down.


In 2013, my fellow classmates at Full Sail University and I set out to create an ambitious project that we could have a blast with and knock the socks off our audience. We knew we wanted to create an adventure story about friendship, and we were also heavily inspired by Oblivion (2013), a science fiction film that had just been released. We remixed the two into a short film script, and Dead ED was the result.


Fun fact: we chose the title when Daniel, co-founder of Reel Nation Media, saw a “DEAD END” sign missing the letter “N.”

Me (center) and my classmates on Dead ED

After the script was as polished as much as my 18-year-old, naive, self could polish, we started shooting in the spring of that year. We launched a Kickstarter campaign which made the whole endeavor possible. However, shooting was soon halted because of the workload required for school. We even made two more films (Lola Rabbit & Little Big Hero) before we returned to our production schedule. Thus, Dead ED was shot in two separate phases: before we knew anything about filmmaking and after we knew a tiny bit more about filmmaking. In June 2014, we completed production at the end of our education at Full Sail University.


This created another problem… all of our classmates and collaborators soon had full-time jobs while also be scattered across the country. Naturally, adult life after school took priority. It wasn’t until 2016 that we returned to figure out how we would complete the film without a post-production team. Our biggest problem that would take more years to solve was this:


During our time of shooting while knowing very little to nothing about filmmaking, we shot a lot of visual effects the wrong way. For example, our green screen setup was horrible. When professionals saw our raw footage, they ran for the hills. Fixing this problem would cost either a lot of time or a fortune. Being startup artists, money was something we didn’t have.


Luckily, Mitchell Sanchez, our VFX supervisor, was there to guide me in learning how to do the visual effects myself. The path ahead was like looking at the peak of Everest from its base. There was a total of 114 shots to do heavy repairs and visual effects on. The most time-consuming effect of the bunch was rotoscoping, where I hand cut the horrendous green screen out of the composition… frame by frame. 24 frames a second.


Below is a 10x speed timelapse of rotoscoping.

Long story short, the visual effects took me another 4 years to complete. I was only able to dedicate one or two hours a week because it was a student project. And boy… was I a humbled student. I learned many lessons from this adventure. Dead ED is my bittersweet achievement of both my amateur and early filmmaking career.


The next time you watch a movie with awesome visual effects, consider the countless hours, taken from nerds like me, to pull it off.


What’s Next?


Now that Dead ED is complete, we can dedicate our time and resources to fresh, original films. We are currently developing our first web series and our second feature-length documentary. To keep up to date with us and get awesome insights, consider becoming a member so that we may reach you!


In the meantime… keep it Reel :)


Written by Abdullah Abu-Mahfouz


In a near-future, war-torn country, a close-knitted group of survivors, the Grain Family, endeavor to deliver justice onto desperate looters who have occupied a house of worship and massacred the war relief volunteers within.


Jody, played by Austin Greene

This is the world the proof-of-concept episode Rupture, our latest published work, explores. It was published today, August 5th, 2020, on the Reel Nation Cinema page and can be watched for free after signing up.


Click HERE to watch it now!


What is a Proof-Of-Concept?

Rupture would be the third episode of the war epic web series tentatively titled The Wintriest Storm. The episode picks up at the end of the show’s first act when the group’s strongest voice for justice, Jody, finds his best friend, Sylvia, injured by the looters, and vows vengeance. However, his confiscated rifle is with the group’s pacifist matriarch, who is already finalizing orders for his exile.


This episode explores the relationship dynamics that will be tugging away at audiences throughout the series. Friendships will be forged, enemies will be made, family will be lost, and sacrifice will sometimes be the only option. The inspiration for the story comes from the stories of a war civilian life my mother would share to me from her own experiences. Comparable stories would be the likes of The Pianist (2002), and This War of Mine (2014).


Cinematographer Claire Collison studies the Rupture storyboard

The Story Behind the Story

The episode itself was developed in the Sundance Collab Directing Fundamentals program and it will be used as a tool to gauge audience interest and as part of a pitching package for film financing. By the nature of film development, the story, characters, and set pieces are all subject to change.


Tracy, played by Lisa Budwig

Get Involved!

If you enjoyed the concept and if you’re interested in seeing more, please let me know on the Feedback Forum and make sure you’re a member at Reel Nation Media to get first news on new content and watch exclusive films for free.


Keep it Reel!


  • Jul 10, 2020
  • 3 min read

Updated: Nov 18, 2020

written by director Abdullah Abu-Mahfouz

Nearly six months in self-quarantine without filming something was difficult to bear.  Setting a camera up while creating a breathing drama and feeling it come to life is an irreplaceable experience that I fell in love with at a young age.  My half-year fast from that was finally broken when Austin Greene and the rest of The Mimic band hooked me into directing an irresistibly fun, whacky story for their song “Who’s Yo Daddy.”


You can watch the music video on YouTube now! The Mimic will be releasing their first album on July 17th.


Laughs on Laughs on Laughs


In my own words, the “Who’s Yo Daddy” music video tells a story of cautious, yet extremely hypocritical, man departing from a self-quarantine but finding himself being chased by an Easter Bunny.  It’s hard to explain the rest in words and you’ll have to watch the music video yourself to experience the insanity.


More important than the story for me is the experience behind it.  Austin and I put in about a week into the video and the only thing I really remember from it all was laughing from beginning to end.  While planning the story, we told ourselves that we’d take it easy on this shoot and aim to have a good time above all.  Ideas were totally flexible and so were jokes; there were plenty of those.  

I think this whole thing started with a dream Austin had and then him committing to buying a $100 bunny costume.  The whole story was then based on that, and I think it worked hilariously.  It was definitely a blast while trying to draw it in our storyboards.

The idea that made us laugh the most was the one we committed to.  My favorite moment from the whole video is when Austin runs up to a random passerby, spontaneously played by Chris Laurer, and uppercuts him in the male privates.  It was an idea that was initially a joke from one of the cast members, but there was no way I was passing on at least seeing it.

Editing all these crazy moments was also a thrill.  Austin joined me via live stream and we pulled a 22-hour workday to get it done.  I recorded some of it and you get an idea of how things went in this video:

A New Way


With COVID cases rising on a national scale, who knows how the future will change filmmaking.  I fear that it is likely for “low budget” productions to cease and what will only remain is skeleton sized productions like this music video (I was the sole crew member) or large budget films/shows that can afford the extra cost of running sets under strict COVID prevention protocol.  If the economy shuts down again, productions may shut down completely for the year.


For now, Reel Nation Media will continue developing conscious media art.  Our first original web series is in development and potentially our third feature-length documentary.  That’s all news for another day though…

Don’t miss out on the ever so catchy song, ‘Who’s Yo Daddy” and the music video!  You can follow the artists, “The Mimic” on their social media:


@MimicMusic2020 on Instagram


Become a member at Reel Nation Media to get first news on new content and watch exclusive films for free. Please consider sharing this article with your friends!


Keep it Reel!

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